John weber

My current ceramic work can be thought of as a hybrid of abstract expressionism and impressionism, where the tactile and visual qualities of clay and glazes, merge with the nature of these two artistic styles.The work transcends direct representation, focusing instead on forms, textures, and compositions. The works draw from impressionism ’s essence, capturing fleeting impressions and inviting viewers to find familiar shapes or feelings within the abstract forms. Much like seeing recognizable images in the shifting shapes of clouds. I am very thankful for the artists that have come before and inspired me.

The fusion of two styles creates a unique artistic language where the organic, fluid qualities of clay and the impressions that clay lends itself to, mirror the spontaneity of impressionist brushstrokes.  The abstract nature of the designs allows for open interpretation. The pieces each evoke landscapes, emotions, or even memories, but they remain undefined enough to let each viewer bring their own perspective to the work. This interplay between the concrete and the intangible is what makes these pieces  so compelling to me because they invite a dialogue between the artist, the medium, and the audience.

In essence, the works are like abstract clouds of clay, where the viewer ’s imagination fills in the gaps, creating a deeply personal and dynamic experience. These works are windows into the mind like little thoughts that pop in and out of our consciousness and what they might represent. The use of perspective in the pieces keeps ones’ eye moving into the piece instead of out. I listen to where my eyes are looking and what they are seeing and how they are moving.